A new album on the Leipzig-based Accentus label showcases the work of three 19th-century composers: Dvořák, Glazunov, and Strauss. The program takes an absorbing look at the concept of a hero, or what makes someone a hero in the eyes of others.
Dvořák's "A Hero's Song" stands out as a powerful piece that weaves together themes of determination, conflict, and ultimately hope. With Hrůša's deft hand at the podium, this 20-minute micro-symphony packs an emotionally charged punch that showcases Dvořák's masterful melodic writing.
Glazunov's "To the Memory of a Hero" is another highlight on this album, composed when the composer was just 20 years old. This elegiac work exudes somberness with two instantly memorable themes that are beautifully shaped by Hrůša and the Bamberg Symphony Orchestra.
In contrast, Richard Strauss's "Ein Heldenleben" – a piece more familiar to listeners than newcomers – begins at a slightly plodding pace. While the orchestra can feel congested when the full force of Strauss's orchestration is unleashed, Hrůša's flexible phrasing brings out the music's more intimate moments, particularly in his portrayal of Strauss's wife and the hero's poignant final retirement.
Overall, this album demonstrates how three generations of composers dealt with the idea of a hero, their works reflecting on themes that are timeless and universal.
Dvořák's "A Hero's Song" stands out as a powerful piece that weaves together themes of determination, conflict, and ultimately hope. With Hrůša's deft hand at the podium, this 20-minute micro-symphony packs an emotionally charged punch that showcases Dvořák's masterful melodic writing.
Glazunov's "To the Memory of a Hero" is another highlight on this album, composed when the composer was just 20 years old. This elegiac work exudes somberness with two instantly memorable themes that are beautifully shaped by Hrůša and the Bamberg Symphony Orchestra.
In contrast, Richard Strauss's "Ein Heldenleben" – a piece more familiar to listeners than newcomers – begins at a slightly plodding pace. While the orchestra can feel congested when the full force of Strauss's orchestration is unleashed, Hrůša's flexible phrasing brings out the music's more intimate moments, particularly in his portrayal of Strauss's wife and the hero's poignant final retirement.
Overall, this album demonstrates how three generations of composers dealt with the idea of a hero, their works reflecting on themes that are timeless and universal.