"Alternate Reality" Unfolds at Manufacturer's National Bank as Ministry of Awe Opens
On March 14, a new cultural landmark is set to take shape in Old City as the Ministry of Awe opens its doors to the public. This immersive art exhibition, brainchild of visionary visual artist Meg Saligman, promises to be an unforgettable experience that blurs the lines between reality and fantasy.
The Ministry of Awe is not just another art exhibit; it's a living, breathing entity designed to evoke a sense of connection, mystery, and intrigue in its visitors. The brainchild of Saligman, who has spent over 40 years creating public artworks worldwide, including some of Philadelphia's most iconic murals, this project has been gestating since 2015.
As guests enter the 8,500 square-foot space, they are transported into a world where the boundaries between art, reality, and fantasy dissolve. The exhibition takes its cue from the site's history as a bank, with each corner of the space dedicated to a particular theme that pokes fun at the institution's past.
Visitors will navigate through rooms inspired by loan forgiveness, security offices, and deposit stations, each featuring an eclectic mix of sculptures, murals, performance art, and AI-powered interactive displays. The twist? Each room is designed to be an immersive experience, with 12-foot tall AI-generated bank tellers that seem to sniff out visitors, while petty thieves try to steal from their pockets or recruit others to rob the vault – a space that stores fears instead of cash.
At its core, the Ministry of Awe is an exploration of value. Saligman posits that money, as we know it, is fiction; what if we could create our own reality based on the intrinsic worth of humanity? As she dons the role of the "Ministrix," Saligman becomes a guide through this alternate reality, leading visitors down a rabbit hole of thought-provoking questions and campy humor.
For Saligman, the Ministry of Awe represents a genuine desire to empower upcoming generations of local artists. By hijacking the historic Manufacturer's National Bank building, she aims to create a platform for these creatives to showcase their work and share it with a broader audience.
The project has already generated buzz, with tickets available starting in January for select time slots, and pop-up workshops open to the public to assist with setting up the space. As the doors open on March 14, visitors can expect an experience that is equal parts mind-bending, entertaining, and awe-inspiring – a testament to Saligman's boundless creativity and imagination.
In the end, the Ministry of Awe feels like stepping into an alternate reality – but for Saligman, it's a step closer to making that reality her own. As she says, "Some of the truest things are found in fiction."
On March 14, a new cultural landmark is set to take shape in Old City as the Ministry of Awe opens its doors to the public. This immersive art exhibition, brainchild of visionary visual artist Meg Saligman, promises to be an unforgettable experience that blurs the lines between reality and fantasy.
The Ministry of Awe is not just another art exhibit; it's a living, breathing entity designed to evoke a sense of connection, mystery, and intrigue in its visitors. The brainchild of Saligman, who has spent over 40 years creating public artworks worldwide, including some of Philadelphia's most iconic murals, this project has been gestating since 2015.
As guests enter the 8,500 square-foot space, they are transported into a world where the boundaries between art, reality, and fantasy dissolve. The exhibition takes its cue from the site's history as a bank, with each corner of the space dedicated to a particular theme that pokes fun at the institution's past.
Visitors will navigate through rooms inspired by loan forgiveness, security offices, and deposit stations, each featuring an eclectic mix of sculptures, murals, performance art, and AI-powered interactive displays. The twist? Each room is designed to be an immersive experience, with 12-foot tall AI-generated bank tellers that seem to sniff out visitors, while petty thieves try to steal from their pockets or recruit others to rob the vault – a space that stores fears instead of cash.
At its core, the Ministry of Awe is an exploration of value. Saligman posits that money, as we know it, is fiction; what if we could create our own reality based on the intrinsic worth of humanity? As she dons the role of the "Ministrix," Saligman becomes a guide through this alternate reality, leading visitors down a rabbit hole of thought-provoking questions and campy humor.
For Saligman, the Ministry of Awe represents a genuine desire to empower upcoming generations of local artists. By hijacking the historic Manufacturer's National Bank building, she aims to create a platform for these creatives to showcase their work and share it with a broader audience.
The project has already generated buzz, with tickets available starting in January for select time slots, and pop-up workshops open to the public to assist with setting up the space. As the doors open on March 14, visitors can expect an experience that is equal parts mind-bending, entertaining, and awe-inspiring – a testament to Saligman's boundless creativity and imagination.
In the end, the Ministry of Awe feels like stepping into an alternate reality – but for Saligman, it's a step closer to making that reality her own. As she says, "Some of the truest things are found in fiction."