The article discusses the work of artist Mark Dion, who has been exploring the relationship between humans and nature through his installations and works on paper. The exhibition "Mark Dion" at Tanya Bonakdar Gallery in New York features a series of drawings that mimic institutional display while quietly undoing its claims to neutrality.
Dion's approach to image echoes what Gilles Deleuze described as learning through signs rather than through instruction: knowledge does not precede the encounter but emerges from itโproduced in that precise moment of friction, delay and misrecognition. Meaning is not delivered but generated, as the viewer is compelled to remain with ambiguity rather than resolve it.
The drawings ultimately reveal the core of Dion's artistic investigation and the kind of relationship he has always sought with the viewer. "I think curiosity sets off a chain reaction: curiosity leads to wonder, and wonder eventually leads to knowledge," he emphasizes, noting how his work aims to re-trigger that sense of discovery that should be fundamental to being human, but which today feels dulled by overexposure.
The exhibition is open until February 12, 2026.
Dion's approach to image echoes what Gilles Deleuze described as learning through signs rather than through instruction: knowledge does not precede the encounter but emerges from itโproduced in that precise moment of friction, delay and misrecognition. Meaning is not delivered but generated, as the viewer is compelled to remain with ambiguity rather than resolve it.
The drawings ultimately reveal the core of Dion's artistic investigation and the kind of relationship he has always sought with the viewer. "I think curiosity sets off a chain reaction: curiosity leads to wonder, and wonder eventually leads to knowledge," he emphasizes, noting how his work aims to re-trigger that sense of discovery that should be fundamental to being human, but which today feels dulled by overexposure.
The exhibition is open until February 12, 2026.