A Warped Fantasies: 'Loop' Falls Short of Its Potential
In this thought-provoking monologue, Tanya-Loretta Dee delves into the complexities of limerence – an all-consuming infatuation that tips over into darkness and destruction. The production promises much, but ultimately falls short due to its inability to ignite a firestorm of intensity.
Dee's performance is a highlight, as she crafts an intimate rapport with the audience through witty asides. She also brings depth to her supporting characters, particularly Greta, her harried best friend, and her enigmatic mother. However, James, Bex's on-again, off-again love interest, remains a one-dimensional caricature – a brutish figure whose malevolence makes it difficult to invest in their tumultuous relationship.
Dee herself is restrained, never fully surrendering to the turmoil brewing beneath her character's skin. Instead, the production relies on its set and lighting design to create an eerie atmosphere. Mydd Pharo's barren wasteland, complete with long grass and grotty mattresses, is a visually striking backdrop for Cheng Keng's restless lighting design.
Despite these impressive visual elements, Director Sophie Ellerby seems reluctant to fully unleash the chaos and darkness that lies beneath this script. The result is a production that feels curiously controlled, never quite allowing itself to get swept up in the maelstrom of Bex's inner turmoil.
Ultimately, 'Loop' is a thought-provoking exploration of the fine line between desire and destruction. While it falls short of its full potential, Dee's performance and the production's visual aesthetic are enough to leave a lasting impression – a haunting reminder that sometimes, the most destructive forces can be our own.
In this thought-provoking monologue, Tanya-Loretta Dee delves into the complexities of limerence – an all-consuming infatuation that tips over into darkness and destruction. The production promises much, but ultimately falls short due to its inability to ignite a firestorm of intensity.
Dee's performance is a highlight, as she crafts an intimate rapport with the audience through witty asides. She also brings depth to her supporting characters, particularly Greta, her harried best friend, and her enigmatic mother. However, James, Bex's on-again, off-again love interest, remains a one-dimensional caricature – a brutish figure whose malevolence makes it difficult to invest in their tumultuous relationship.
Dee herself is restrained, never fully surrendering to the turmoil brewing beneath her character's skin. Instead, the production relies on its set and lighting design to create an eerie atmosphere. Mydd Pharo's barren wasteland, complete with long grass and grotty mattresses, is a visually striking backdrop for Cheng Keng's restless lighting design.
Despite these impressive visual elements, Director Sophie Ellerby seems reluctant to fully unleash the chaos and darkness that lies beneath this script. The result is a production that feels curiously controlled, never quite allowing itself to get swept up in the maelstrom of Bex's inner turmoil.
Ultimately, 'Loop' is a thought-provoking exploration of the fine line between desire and destruction. While it falls short of its full potential, Dee's performance and the production's visual aesthetic are enough to leave a lasting impression – a haunting reminder that sometimes, the most destructive forces can be our own.
. The set design and lighting are straight fire 
, it's like you're right there in the midst of Bex's emotional whirlwind. But at the same time, I felt like Sophie Ellerby was playing it way too safe - I wanted more intensity, more chaos! It's like they were waiting for the audience to jump on board rather than taking risks themselves 
. Still, Dee's performance is worth checking out, she really gives it her all 
.
. But what really got me thinking is that maybe the production is trying to say something more than just "Bex's inner turmoil" - it's exploring how our darker desires can take over us, and that's a pretty wild idea 
and I'm still trying to process how underwhelming it was for me. The set design was on point 
, but it felt like they were just showcasing all these cool visuals without really letting them do the heavy lifting. Tanya-Loretta Dee's performance was pretty great though - she has this way of making you feel all her emotions and it was really captivating to watch her 
. Still, I do love a good thought-provoking drama and 'Loop' did leave me with a lot to think about 
. Maybe it was just the timing 
?
. But, honestly, I felt like it was all just surface level... like, how much depth could they possibly bring to this story? Dee's performance was cool and all, but James, dude, he was so underdeveloped 
. I wanted more tension, more conflict, more of a sense of danger looming over Bex's life... instead it just felt kinda predictable. And don't even get me started on how they handled the themes - it was like they were trying to be all profound and stuff but ended up being kinda shallow 
they totally butchered the script, made James into such a one-dimensional creep 
and don't even get me started on the lack of emotional release for Bex's character 
I mean, who thought it was a good idea to have a barren wasteland as the backdrop tho? 
, I was literally rolling my eyes when he came on screen. But at the same time, I can see why Tanya-Loretta Dee's performance is getting so much hype... she does bring this level of depth to her characters that's really cool 
. Anyway, it's like they're trying to create this intense, dark vibe but not quite pulling it off 
. The production had some amazing visuals, but they felt a bit like a facade, you know? Like, they were trying to create this intense atmosphere, but it didn't quite reach the character's emotional depth 
. Still, I think that's what makes it such a great reflection – we can all relate to feeling like our own darkness is consuming us, and sometimes just acknowledging it is the first step towards healing 
.
the set design was super creepy too 
but yeah, james just felt like a generic villain 
, but upon watching it, I just wasn't feeling the emotional depth. Tanya-Loretta Dee is actually really talented tho 
, especially with those grotty mattresses 
... who knew that could be so eerie? 
The main issue is that it feels kinda controlled, like Sophie Ellerby is holding back on the chaos and darkness that's supposed to be there 
. I think if they'd let go a bit more, it could've been something truly special 
this show sounds so intense but also kinda let down by the director not fully embracing the darkness 
her character's struggles resonated with me on a deep level, it's like she tapped into the chaos that we all try to keep hidden inside 
james was just too one-dimensional for my taste 
what do you think?
but director ellerby held back on getting too wild i feel like it should've been more intense 
still, dee's performance and visuals are def worth checking out 
. But what really got me was how they tried to tackle the darker themes of limerence. It felt like they were toeing the line between exploring the depths of human psychology and just playing it safe 
. Still, I guess that's what makes 'Loop' so thought-provoking - it's not afraid to take risks, even if it doesn't quite hit the mark 
. Still, it's a good watch if you're into that sorta vibe and Dee's performance will leave you feeling all the feels 
her character's turmoil feels so relatable, you know? but the male lead was meh 
and cheng keng's lighting? wow 
i get what the show was going for but yeah, it didn't quite ignite that firestorm 
instead of goin all out w/ that dark & twisted vibe. tanya-loretta dee's performance tho 
but james's character was whack 
still, its a decent watch if u ask me