Renowned photographer and activist Kwame Brathwaite, a key figure in the "Black is Beautiful" movement of the 1960s and beyond, has passed away at the age of 85. Born in 1938 to Barbadian immigrants in New York's Brooklyn borough, Brathwaite's life was marked by a profound impact on the world of photography.
The pioneering activist's connection with photography began when he encountered David Jackson's haunting image of Emmett Till in his open casket in 1955. He also witnessed a young photographer taking photos in a dark jazz club without using a flash, sparking an idea that ignited his passion for capturing life through the lens. With this fascination, Brathwaite co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe, fostering a space where creativity and expression were encouraged.
Through AJASS, Brathwaite developed his signature approach to photography – focusing on celebrating Black beauty standards by capturing images of young Black women in Harlem. This was showcased through "Naturally '62," an annual fashion show held at the Purple Manor from 1962 until 1992. Brathwaite's vision extended beyond this movement, as he went on to photograph jazz legends and popular music icons such as Miles Davis, John Coltrane, Thelonious Monk, Nina Simone, Stevie Wonder, Sly and the Family Stone, Bob Marley, Muhammad Ali, George Foreman, and others.
Brathwaite's work captured more than just performances; it conveyed a deeper sense of culture and identity. He sought to capture the essence – the mood, the feeling – that defined his subjects' experiences when they performed on stage or in their daily lives. As he once stated, "You want to get the feeling, the mood that you're experiencing when they're playing."
Throughout his life, Brathwaite continued to explore and develop his unique approach to photography while staying true to his vision of celebrating Black beauty. In 2016, he joined Philip Martin Gallery in Los Angeles, continuing to work on commissions well into the late 2010s. His work has been rediscovered by curators, historians, and collectors in recent years, as seen in exhibitions at institutions such as the Blanton Museum of Art and the Art Institute of Chicago.
As a testament to Brathwaite's lasting impact, his photography continues to inspire a new generation of artists and activists. His legacy is a powerful reminder of the transformative power of art and self-expression in challenging societal norms and promoting positive change.
The pioneering activist's connection with photography began when he encountered David Jackson's haunting image of Emmett Till in his open casket in 1955. He also witnessed a young photographer taking photos in a dark jazz club without using a flash, sparking an idea that ignited his passion for capturing life through the lens. With this fascination, Brathwaite co-founded the African Jazz Arts Society and Studios (AJASS) with his brother Elombe, fostering a space where creativity and expression were encouraged.
Through AJASS, Brathwaite developed his signature approach to photography – focusing on celebrating Black beauty standards by capturing images of young Black women in Harlem. This was showcased through "Naturally '62," an annual fashion show held at the Purple Manor from 1962 until 1992. Brathwaite's vision extended beyond this movement, as he went on to photograph jazz legends and popular music icons such as Miles Davis, John Coltrane, Thelonious Monk, Nina Simone, Stevie Wonder, Sly and the Family Stone, Bob Marley, Muhammad Ali, George Foreman, and others.
Brathwaite's work captured more than just performances; it conveyed a deeper sense of culture and identity. He sought to capture the essence – the mood, the feeling – that defined his subjects' experiences when they performed on stage or in their daily lives. As he once stated, "You want to get the feeling, the mood that you're experiencing when they're playing."
Throughout his life, Brathwaite continued to explore and develop his unique approach to photography while staying true to his vision of celebrating Black beauty. In 2016, he joined Philip Martin Gallery in Los Angeles, continuing to work on commissions well into the late 2010s. His work has been rediscovered by curators, historians, and collectors in recent years, as seen in exhibitions at institutions such as the Blanton Museum of Art and the Art Institute of Chicago.
As a testament to Brathwaite's lasting impact, his photography continues to inspire a new generation of artists and activists. His legacy is a powerful reminder of the transformative power of art and self-expression in challenging societal norms and promoting positive change.