British Blues Icon Brian Smith Remembered Through His Enduring Legacy
When news broke of the passing of British blues photographer Brian Smith at 82, a sense of loss resonated through the music world. A key figure in capturing the essence of the genre during its UK resurgence in the 1960s, his photographs have become synonymous with American blues and R&B artists.
Born to a railway clerk father and seamstress mother in Cheshire, Brian's early life was marked by a keen interest in music, which he discovered through witnessing Lonnie Donegan's skiffle performances. His fascination with the blues would lead him to become an avid fan, learning about the genre from observing Donegan perform on numerous occasions.
As his passion for photography grew, so did his influence within the UK blues scene. Brian's 1962 photographs at the American Folk Blues festival at Manchester's Free Trade Hall marked a pivotal moment in his career, capturing the essence of T Bone Walker, John Lee Hooker, and Sonny Terry & Brownie McGhee.
Throughout the 1960s, Smith photographed an array of legendary blues and R&B artists, including Little Richard, Sister Rosetta Tharpe, Muddy Waters, Johnny "Guitar" Watson, Bo Diddley, Howlin' Wolf, and Chuck Berry. His images not only adorned album sleeves but also found their way onto magazine covers.
As a fixture at Manchester's Twisted Wheel club, Brian became the unofficial in-house photographer, developing relationships with promoters and club owners to secure exclusive artist interviews and backstage passes. This strategy proved invaluable, saving him a significant amount of money on ticket costs.
The rise of record companies reissuing American blues and R&B catalogs led to Smith's photographs being widely used. He supplied images to MCA for their US reissue program of Chess recordings, while labels such as Ace Records utilized his work for reissues in the UK.
In recent years, Brian's contributions have been recognized through publications like Blues & Rhythm magazine, where he worked as a contributor and provided archive photos. His love of Manchester United was shared with fellow contributors, solidifying their camaraderie.
Through his body of work, including his book "Boom Boom, Boom, Boom β American Rhythm & Blues In England 1962β1966," Brian Smith has left an indelible mark on the world of blues photography.
When news broke of the passing of British blues photographer Brian Smith at 82, a sense of loss resonated through the music world. A key figure in capturing the essence of the genre during its UK resurgence in the 1960s, his photographs have become synonymous with American blues and R&B artists.
Born to a railway clerk father and seamstress mother in Cheshire, Brian's early life was marked by a keen interest in music, which he discovered through witnessing Lonnie Donegan's skiffle performances. His fascination with the blues would lead him to become an avid fan, learning about the genre from observing Donegan perform on numerous occasions.
As his passion for photography grew, so did his influence within the UK blues scene. Brian's 1962 photographs at the American Folk Blues festival at Manchester's Free Trade Hall marked a pivotal moment in his career, capturing the essence of T Bone Walker, John Lee Hooker, and Sonny Terry & Brownie McGhee.
Throughout the 1960s, Smith photographed an array of legendary blues and R&B artists, including Little Richard, Sister Rosetta Tharpe, Muddy Waters, Johnny "Guitar" Watson, Bo Diddley, Howlin' Wolf, and Chuck Berry. His images not only adorned album sleeves but also found their way onto magazine covers.
As a fixture at Manchester's Twisted Wheel club, Brian became the unofficial in-house photographer, developing relationships with promoters and club owners to secure exclusive artist interviews and backstage passes. This strategy proved invaluable, saving him a significant amount of money on ticket costs.
The rise of record companies reissuing American blues and R&B catalogs led to Smith's photographs being widely used. He supplied images to MCA for their US reissue program of Chess recordings, while labels such as Ace Records utilized his work for reissues in the UK.
In recent years, Brian's contributions have been recognized through publications like Blues & Rhythm magazine, where he worked as a contributor and provided archive photos. His love of Manchester United was shared with fellow contributors, solidifying their camaraderie.
Through his body of work, including his book "Boom Boom, Boom, Boom β American Rhythm & Blues In England 1962β1966," Brian Smith has left an indelible mark on the world of blues photography.