For Emily Henry, the bestseller "People We Meet on Vacation," adapted into a Netflix film by Brett Haley, was never meant to be more than that – her own adaptation of a story she'd already perfected. In contrast to what many authors hope for when their work is set to be transformed into a movie – to see it reach new audiences and bring fresh attention to the material – Henry prioritizes preserving the essence that made the book appealing in the first place.
The director, Brett Haley, recognized that his adaptation would appeal most to the existing fanbase of the novel. He took an informed approach by seeking out Henry's input on pivotal scenes and quotes from the book, ensuring that readers felt a strong connection to their favorite characters.
For fans of Emily Henry, particularly those who enjoy her novels like "Beach Read," there is now hope for future adaptations in development stages with films such as "Book Lovers," "Happy Place," and "Funny Story." However, what draws Henry to the projects that have already been completed – especially those involving filmmakers who have a track record of adapting beloved works – is the creative freedom she is still afforded.
Henry's own process for screenwriting may differ from that of novel writing. While a screenplay demands a more concise approach due to time constraints and word counts, she remains drawn to exploring her characters' psyches and backstories in greater depth than ever before. In fact, Henry is eager to embark on this same journey once again with upcoming books – albeit under different circumstances.
A key takeaway from Henry's experience is that while adaptations of an author's work may bring attention to the material itself, it is also necessary for filmmakers to focus on their own core audience and not be afraid to take liberties in order to tell a compelling story.
The director, Brett Haley, recognized that his adaptation would appeal most to the existing fanbase of the novel. He took an informed approach by seeking out Henry's input on pivotal scenes and quotes from the book, ensuring that readers felt a strong connection to their favorite characters.
For fans of Emily Henry, particularly those who enjoy her novels like "Beach Read," there is now hope for future adaptations in development stages with films such as "Book Lovers," "Happy Place," and "Funny Story." However, what draws Henry to the projects that have already been completed – especially those involving filmmakers who have a track record of adapting beloved works – is the creative freedom she is still afforded.
Henry's own process for screenwriting may differ from that of novel writing. While a screenplay demands a more concise approach due to time constraints and word counts, she remains drawn to exploring her characters' psyches and backstories in greater depth than ever before. In fact, Henry is eager to embark on this same journey once again with upcoming books – albeit under different circumstances.
A key takeaway from Henry's experience is that while adaptations of an author's work may bring attention to the material itself, it is also necessary for filmmakers to focus on their own core audience and not be afraid to take liberties in order to tell a compelling story.