The Cribs' latest release, 'Selling a Vibe', is a masterclass in refinement and nuance. 22 years into their career, the band still manages to craft songs that are both timeless and contemporary.
While they were never part of the mainstream mid-00s indie scene, which prioritized commercial success over artistic freedom, The Cribs have carved out their own niche. They've always been more interested in creating music that's "proper indie," with a focus on melody and songwriting rather than chasing Top 40 hits.
On 'Selling a Vibe', the band wears their longevity proudly. Produced by Caroline Polachek's former Chairlift collaborator Patrick Wimberly, the album has a confident, streamlined sound that builds on their previous work. The result is an album that feels both familiar and new, with each song hitting a perfect balance between catchy hooks and meaningful lyrics.
Throughout 'Selling a Vibe', the band tackles themes of experience, loss, and the passage of time. Tracks like "Summer Seizures" and "Looking for the Wrong Guy" deal with the pain of growing up and losing one's innocence, while songs like "Distractions" reflect on the fleeting nature of youth and excess.
One of the standout features of 'Selling a Vibe' is its production quality. The drums are sharp, the guitars are distorted to perfection, and the melodies soar. But what truly sets the album apart is its songwriting – every track has been crafted with care and attention to detail, ensuring that nothing feels overworked or slick.
Ultimately, 'Selling a Vibe' is an album about the power of longevity and artistic freedom. The Cribs have never compromised their vision in pursuit of mainstream success, and it's clear that they've earned their place as one of the most respected bands in indie rock. Their music may not be flashy or attention-grabbing, but it's authentic, meaningful, and – above all – incredibly well-written.
This week, Alexis also listened to Augustin Bousfield's 'Love Corruption', a synth-infused electro-pop album that showcases the Bradford-based artist's unique sound.
While they were never part of the mainstream mid-00s indie scene, which prioritized commercial success over artistic freedom, The Cribs have carved out their own niche. They've always been more interested in creating music that's "proper indie," with a focus on melody and songwriting rather than chasing Top 40 hits.
On 'Selling a Vibe', the band wears their longevity proudly. Produced by Caroline Polachek's former Chairlift collaborator Patrick Wimberly, the album has a confident, streamlined sound that builds on their previous work. The result is an album that feels both familiar and new, with each song hitting a perfect balance between catchy hooks and meaningful lyrics.
Throughout 'Selling a Vibe', the band tackles themes of experience, loss, and the passage of time. Tracks like "Summer Seizures" and "Looking for the Wrong Guy" deal with the pain of growing up and losing one's innocence, while songs like "Distractions" reflect on the fleeting nature of youth and excess.
One of the standout features of 'Selling a Vibe' is its production quality. The drums are sharp, the guitars are distorted to perfection, and the melodies soar. But what truly sets the album apart is its songwriting – every track has been crafted with care and attention to detail, ensuring that nothing feels overworked or slick.
Ultimately, 'Selling a Vibe' is an album about the power of longevity and artistic freedom. The Cribs have never compromised their vision in pursuit of mainstream success, and it's clear that they've earned their place as one of the most respected bands in indie rock. Their music may not be flashy or attention-grabbing, but it's authentic, meaningful, and – above all – incredibly well-written.
This week, Alexis also listened to Augustin Bousfield's 'Love Corruption', a synth-infused electro-pop album that showcases the Bradford-based artist's unique sound.