Design lessons from a 1970s pioneer of brutalist architecture should guide the Barbican's £1 billion revamp. The University of Leeds' Chamberlin, Powell and Bon-designed complex, built in the early 1970s, was the original source of inspiration for the London arts centre.
Visitors to the university were often met with a stark contrast between the building's imposing brutalist structure and its intended function as a hub for learning. The author, who spent over 30 years working on the prototype, regarded the Chamberlin buildings primarily as a large-scale piece of sculpture rather than functional office space.
The University of Leeds has undergone several rounds of restoration and refurbishment since its construction, and those involved in the Barbican's £1 billion renovation should take note. By examining how the university has weatherproofed and humanised the building, they may uncover valuable insights into creating a more welcoming and engaging public space.
A close look at how the University of Leeds has addressed the same challenges as the Barbican could be just what is needed to create a truly world-class arts centre.
Visitors to the university were often met with a stark contrast between the building's imposing brutalist structure and its intended function as a hub for learning. The author, who spent over 30 years working on the prototype, regarded the Chamberlin buildings primarily as a large-scale piece of sculpture rather than functional office space.
The University of Leeds has undergone several rounds of restoration and refurbishment since its construction, and those involved in the Barbican's £1 billion renovation should take note. By examining how the university has weatherproofed and humanised the building, they may uncover valuable insights into creating a more welcoming and engaging public space.
A close look at how the University of Leeds has addressed the same challenges as the Barbican could be just what is needed to create a truly world-class arts centre.