The 2025 film 'A House of Dynamite' takes on the highly charged and sensitive subject of nuclear threats, and surprisingly, it gets its portrayal right. The movie's depiction of government officials responding to a missile launch is scrutinized by experts, but one aspect that garners little criticism is how it portrays smartphones in the face of an unfolding crisis.
Smartphones play a pivotal role across three narrative arcs, functioning as both a jarring interruption and a lifeline for its characters. When Deputy National Security Adviser Jake Baerington receives an alert on his phone during a family conversation, it highlights the tension between personal life and professional duties. Later, when NSA national intelligence officer Ana Park takes a call while attending a civil war reenactment with her young son amidst gunfire and explosions, it underscores the immediacy of communication in times of crisis.
However, there is an important limit to how smartphones blur the lines between their dual natures - specifically for high-ranking officials. For instance, Olivia Walker checks her phone at security checkpoints before entering the White House complex or deposits it into a secure chamber after warning her husband about potential danger. These scenes serve as stark reminders of the stringent protocols in place.
On the other hand, the film's depiction of smartphones as a bridge between personal and professional lives is more nuanced. For example, when Walker warns her son that she has her phone with her to protect them both, it links back to earlier reassurances about staying connected even when apart. The scene also serves as a poignant reminder of the human side that often gets overlooked in crisis situations.
Yet, despite its thoughtful portrayal of smartphones in A House of Dynamite, it is impossible for mobile phones to be the heroes in every situation. In one heart-wrenching scene, Baker calls his daughter with no warning minutes before Chicago is obliterated by a nuclear attack, instead choosing to smooth over their relationship tensions. The sense of futility in such moments underscores the limitations and potential pitfalls of relying on smartphones as a tool for crisis prevention or resolution.
The film serves as a poignant reminder that in situations like these, there can be little room for heroism from technology alone, especially when it comes to matters of state security and high stakes.
Smartphones play a pivotal role across three narrative arcs, functioning as both a jarring interruption and a lifeline for its characters. When Deputy National Security Adviser Jake Baerington receives an alert on his phone during a family conversation, it highlights the tension between personal life and professional duties. Later, when NSA national intelligence officer Ana Park takes a call while attending a civil war reenactment with her young son amidst gunfire and explosions, it underscores the immediacy of communication in times of crisis.
However, there is an important limit to how smartphones blur the lines between their dual natures - specifically for high-ranking officials. For instance, Olivia Walker checks her phone at security checkpoints before entering the White House complex or deposits it into a secure chamber after warning her husband about potential danger. These scenes serve as stark reminders of the stringent protocols in place.
On the other hand, the film's depiction of smartphones as a bridge between personal and professional lives is more nuanced. For example, when Walker warns her son that she has her phone with her to protect them both, it links back to earlier reassurances about staying connected even when apart. The scene also serves as a poignant reminder of the human side that often gets overlooked in crisis situations.
Yet, despite its thoughtful portrayal of smartphones in A House of Dynamite, it is impossible for mobile phones to be the heroes in every situation. In one heart-wrenching scene, Baker calls his daughter with no warning minutes before Chicago is obliterated by a nuclear attack, instead choosing to smooth over their relationship tensions. The sense of futility in such moments underscores the limitations and potential pitfalls of relying on smartphones as a tool for crisis prevention or resolution.
The film serves as a poignant reminder that in situations like these, there can be little room for heroism from technology alone, especially when it comes to matters of state security and high stakes.