At the Golden Globes red carpet, Timothée Chalamet's look served as a harbinger for an evening that would eschew flash and spectacle in favor of understated elegance. The star's ensemble, styled by Taylor McNeill, was a masterclass in modern suave, with the actor's black T-shirt and vest pairing perfectly with his Timberland boots to create a look that felt both stylish and relaxed.
The scene was set for an evening where subdued tones reigned supreme, and the penguin suit – once thought to be a relic of a bygone era – made a triumphant return. Chalamet's co-star Odessa A'zion also opted for a monochromatic look, with her vintage Dolce & Gabbana jacket adding a touch of whimsy to her overall aesthetic.
While some stars took bold risks with their attire, many others stuck to tried-and-true formulas, with the likes of Jacob Elordi and Colman Domingo opting for sleek, modern takes on traditional tuxedos. Even newly minted designers made an appearance, with Jessie Buckley showcasing Jonathan Anderson's Dior and Rose Byrne donning a stunning emerald green Chanel.
For women, the story was similar, with the exception that there were moments of bold color – courtesy of Aimee Lou Wood's Vivienne Westwood gown and Wunmi Mosaku's breathtaking canary yellow bespoke number. However, these flashes of vibrancy were few and far between, with many opting for more subdued choices.
As Zak Maoui, Esquire UK's style director, noted, the industry is starting to see a shift towards "nice regular clothing" – a phrase that might have once sounded like a cliché, but now feels refreshingly prescient. With brands presenting more wearable and expertly-cut clothing on the catwalks, it seems we may be on the cusp of a new era in menswear.
Of course, there were still moments of whimsy to be found – courtesy of the "ICE OUT" and "BE GOOD" pins that adorned several attendees' lapels. Mark Ruffalo's choice of pin was particularly notable, offering a welcome respite from the usual pomp and circumstance that surrounds these events. As we move forward into an uncertain future, it will be interesting to see how this newfound emphasis on understated elegance influences our wardrobes – and our collective sense of style.
The scene was set for an evening where subdued tones reigned supreme, and the penguin suit – once thought to be a relic of a bygone era – made a triumphant return. Chalamet's co-star Odessa A'zion also opted for a monochromatic look, with her vintage Dolce & Gabbana jacket adding a touch of whimsy to her overall aesthetic.
While some stars took bold risks with their attire, many others stuck to tried-and-true formulas, with the likes of Jacob Elordi and Colman Domingo opting for sleek, modern takes on traditional tuxedos. Even newly minted designers made an appearance, with Jessie Buckley showcasing Jonathan Anderson's Dior and Rose Byrne donning a stunning emerald green Chanel.
For women, the story was similar, with the exception that there were moments of bold color – courtesy of Aimee Lou Wood's Vivienne Westwood gown and Wunmi Mosaku's breathtaking canary yellow bespoke number. However, these flashes of vibrancy were few and far between, with many opting for more subdued choices.
As Zak Maoui, Esquire UK's style director, noted, the industry is starting to see a shift towards "nice regular clothing" – a phrase that might have once sounded like a cliché, but now feels refreshingly prescient. With brands presenting more wearable and expertly-cut clothing on the catwalks, it seems we may be on the cusp of a new era in menswear.
Of course, there were still moments of whimsy to be found – courtesy of the "ICE OUT" and "BE GOOD" pins that adorned several attendees' lapels. Mark Ruffalo's choice of pin was particularly notable, offering a welcome respite from the usual pomp and circumstance that surrounds these events. As we move forward into an uncertain future, it will be interesting to see how this newfound emphasis on understated elegance influences our wardrobes – and our collective sense of style.