Alejandro García Contreras' latest exhibition at the Bibliothèque Polonaise de Paris presents a captivating synthesis of Symbolist themes, exploring the realms of mythic imagination and spiritual universality. This show brings together 44 works, including paintings, drawings, sculptures, and installations, created by three visionary artists: Gustav Biegas, an early 20th-century Polish Symbolist; García Contreras, a contemporary Mexican artist; and Charles Baudelaire-inspired French Symbolist painter Émile Guillaume.
Through this convergence of artistic voices, the exhibition probes the mysteries of human existence, creation, and transformation. The common thread that weaves these disparate works together is their shared emphasis on the power of mythic imagination to access other dimensions and restore coherence to our fractured world.
Biegas' works from 1900-1910 already envisioned humanity as a microcosm of the universe, where faces dissolve into stars and limbs unfurl into spirals or vegetal motifs. García Contreras' paintings similarly depict symbolic visions that seem to recreate within the canvas the same formative process governing all existence: matter, atoms, energies, and forces converging into new life.
The exhibition also delves into the recurring motif of the "Island of the Dead," inspired by Arnold Böcklin's Symbolist painting. While Böcklin's island symbolized the passage between life and death, Biegas and García Contreras reinterpret it as a metaphysical landscape of transformation rather than finality, a site of passage where matter and spirit merge.
García Contreras' art becomes an exploration of the invisible territories of transformation, where life, memory, ancient myth, and contemporary consciousness converge to uncover luminous truths about what it means to exist, create, and harness the power of mythic imagination. His sculptures, paintings, and installations oscillate between harmony and chaos, drawing with a line that is at once delicate and forceful.
Through this show, we are reminded that art functions as revelation—a bridge between the visible and invisible realms. The works of these three artists serve as vessels for metaphysical energy, incarnations of inner states, cosmic forces, and psychic archetypes.
Ultimately, the exhibition presents a revised history of Symbolism in a single time and place; here, the distinction between modern and contemporary art dissolves. This convergence of artistic voices is a testament to the enduring power of mythic imagination and spiritual universality to awaken our souls to their place within a greater cosmic whole.
				
			Through this convergence of artistic voices, the exhibition probes the mysteries of human existence, creation, and transformation. The common thread that weaves these disparate works together is their shared emphasis on the power of mythic imagination to access other dimensions and restore coherence to our fractured world.
Biegas' works from 1900-1910 already envisioned humanity as a microcosm of the universe, where faces dissolve into stars and limbs unfurl into spirals or vegetal motifs. García Contreras' paintings similarly depict symbolic visions that seem to recreate within the canvas the same formative process governing all existence: matter, atoms, energies, and forces converging into new life.
The exhibition also delves into the recurring motif of the "Island of the Dead," inspired by Arnold Böcklin's Symbolist painting. While Böcklin's island symbolized the passage between life and death, Biegas and García Contreras reinterpret it as a metaphysical landscape of transformation rather than finality, a site of passage where matter and spirit merge.
García Contreras' art becomes an exploration of the invisible territories of transformation, where life, memory, ancient myth, and contemporary consciousness converge to uncover luminous truths about what it means to exist, create, and harness the power of mythic imagination. His sculptures, paintings, and installations oscillate between harmony and chaos, drawing with a line that is at once delicate and forceful.
Through this show, we are reminded that art functions as revelation—a bridge between the visible and invisible realms. The works of these three artists serve as vessels for metaphysical energy, incarnations of inner states, cosmic forces, and psychic archetypes.
Ultimately, the exhibition presents a revised history of Symbolism in a single time and place; here, the distinction between modern and contemporary art dissolves. This convergence of artistic voices is a testament to the enduring power of mythic imagination and spiritual universality to awaken our souls to their place within a greater cosmic whole.