At Yale, the silencing of dissent has become a chilling spectacle. The university's institutional neutrality policy, championed by President Maurie McInnis, is not about remaining neutral, but about adopting a posture of silence when confronted with threats to academic freedom and civility. Like Orwell's concept of "Newspeak," it seeks to limit the scope of discourse, replacing nuanced discussion with a stark, simplistic vocabulary that betrays its true intentions.
When asked about Yale's policy on institutional neutrality, Raoul Peck, an Academy Award-nominated director, offered a searing critique: "To be neutral is to have a political position. There is no such thing as 'neutral' in a society." He warned of the dangers of speaking too little, saying "words don't mean anything anymore" and that we're living in a world where "no one says anything."
The policy's proponents claim it's about avoiding controversy, but this is a thin veil for their true motives. They seek to shield Yale from criticism, to shield itself from the scrutiny of its own failure to speak out against injustice.
By remaining mum on matters such as immigration raids, police brutality, and the erosion of scientific research funding, Yale has essentially ceded ground to the Trump administration's authoritarian agenda. This is not neutrality; it's a form of doublespeak, designed to conceal the university's true intentions behind a façade of silence.
Yale's complicity in this charade comes at a terrible cost: it emboldens the Trump regime and sends a chilling message that universities will stand idly by when confronted with threats to freedom. It is Orwellian in its implications – the idea that words can be twisted and distorted to serve a totalitarian agenda.
As the screen credits of Peck's film rolled up, I couldn't help but think of George Orwell's iconic phrase: "If you want a picture of the future, imagine a boot stamping on a human face — forever." Yale is no longer standing by; it's toeing the line. Will we soon see boots stomping across New Haven Green?
When asked about Yale's policy on institutional neutrality, Raoul Peck, an Academy Award-nominated director, offered a searing critique: "To be neutral is to have a political position. There is no such thing as 'neutral' in a society." He warned of the dangers of speaking too little, saying "words don't mean anything anymore" and that we're living in a world where "no one says anything."
The policy's proponents claim it's about avoiding controversy, but this is a thin veil for their true motives. They seek to shield Yale from criticism, to shield itself from the scrutiny of its own failure to speak out against injustice.
By remaining mum on matters such as immigration raids, police brutality, and the erosion of scientific research funding, Yale has essentially ceded ground to the Trump administration's authoritarian agenda. This is not neutrality; it's a form of doublespeak, designed to conceal the university's true intentions behind a façade of silence.
Yale's complicity in this charade comes at a terrible cost: it emboldens the Trump regime and sends a chilling message that universities will stand idly by when confronted with threats to freedom. It is Orwellian in its implications – the idea that words can be twisted and distorted to serve a totalitarian agenda.
As the screen credits of Peck's film rolled up, I couldn't help but think of George Orwell's iconic phrase: "If you want a picture of the future, imagine a boot stamping on a human face — forever." Yale is no longer standing by; it's toeing the line. Will we soon see boots stomping across New Haven Green?