The opulent art world is abuzz with the upcoming Christie's auction of philanthropist Irene Roosevelt Aitken's collection, a treasure trove of European connoisseurship that spans nearly 800 lots. The gathering storm of Mahdavi minimalism and the ever-present specter of market fluctuations may be intimidating to some collectors, but those who have historically prized the finer things in life remain steadfast in their pursuit.
Irene's legacy as a discerning collector is unparalleled, with an impeccable provenance that boasts ownership by esteemed figures such as Winston Guest, Consuelo Vanderbilt Balsan, and Thelma Chrysler Foy. Her collection showcases a refined eye for 18th-century European art, furnishings, and antiques – the epitome of Old-World opulence.
From Fragonard drawings to Savonnerie carpets, Meissen porcelain to antique firearms, each piece in the collection is a testament to Irene's unwavering commitment to her artistic vision. Whether it's a pair of George III ormolu-mounted blue john candle vases or a Tiffany 18-karat gold dressing room set, every item has been carefully curated to create an immersive experience that transports buyers to a bygone era of refinement and luxury.
But is this Old-World opulence still in vogue among collectors? The jury is out. Some argue that demand for rarefied antiques is dwindling, citing the passing of influential figures like Jayne Wrightsman, Jane Engelhard, and Catherine Hamilton – all renowned collectors who shared Irene's passion for 18th-century European art. Others point to the increasing presence of younger collectors, such as those among the under-40 set, who may be more inclined towards modern tastes.
Yet, Christie's deputy chairman Will Strafford remains optimistic. He notes that while trends ebb and flow, a growing number of non-European buyers are embracing 18th-century French chateaux and English country houses, which in turn drives demand for period furnishings. Moreover, his sales history suggests that even in turbulent times, there will always be a market for exceptional works of art.
As the auction nears, it's clear that Irene's collection is more than just a gathering of rare artifacts – it's an experience that embodies the essence of Old-World opulence and refinement. Whether you're a seasoned collector or simply someone who appreciates the finer things in life, this extraordinary sale promises to be a must-watch event for connoisseurs and aficionados alike.
Irene's legacy as a discerning collector is unparalleled, with an impeccable provenance that boasts ownership by esteemed figures such as Winston Guest, Consuelo Vanderbilt Balsan, and Thelma Chrysler Foy. Her collection showcases a refined eye for 18th-century European art, furnishings, and antiques – the epitome of Old-World opulence.
From Fragonard drawings to Savonnerie carpets, Meissen porcelain to antique firearms, each piece in the collection is a testament to Irene's unwavering commitment to her artistic vision. Whether it's a pair of George III ormolu-mounted blue john candle vases or a Tiffany 18-karat gold dressing room set, every item has been carefully curated to create an immersive experience that transports buyers to a bygone era of refinement and luxury.
But is this Old-World opulence still in vogue among collectors? The jury is out. Some argue that demand for rarefied antiques is dwindling, citing the passing of influential figures like Jayne Wrightsman, Jane Engelhard, and Catherine Hamilton – all renowned collectors who shared Irene's passion for 18th-century European art. Others point to the increasing presence of younger collectors, such as those among the under-40 set, who may be more inclined towards modern tastes.
Yet, Christie's deputy chairman Will Strafford remains optimistic. He notes that while trends ebb and flow, a growing number of non-European buyers are embracing 18th-century French chateaux and English country houses, which in turn drives demand for period furnishings. Moreover, his sales history suggests that even in turbulent times, there will always be a market for exceptional works of art.
As the auction nears, it's clear that Irene's collection is more than just a gathering of rare artifacts – it's an experience that embodies the essence of Old-World opulence and refinement. Whether you're a seasoned collector or simply someone who appreciates the finer things in life, this extraordinary sale promises to be a must-watch event for connoisseurs and aficionados alike.
... but I'm curious, what's the point of all these old stuff? Like, do people really buy them just because they're fancy or is there something more to it? I've seen some of those Fragonard drawings online and they look super pretty, but would you hang one on your wall in real life? 
I'm low-key excited about this auction, but also kinda nervous - like when you're waiting for your favorite celeb's new album drop 
. You gotta wonder if all these collectors are just gonna bail or what? The whole thing feels so... high-stakes 
. But at the same time, can't deny that Irene's collection is straight fire 
- I mean, who wouldn't want to own a piece of history? 
Some people say demand for rarefied antiques is tanking, but others are like "no way" and are staking their claims 
. Either way, this auction is gonna be a wild ride! 
, can't believe Christie's is still going on about the "refinement" of Irene Roosevelt Aitken's collection... Like, who cares if it's 800 lots of old stuff? It's just a bunch of overpriced art pieces that are only worth something because some rich people said they're valuable 
. I mean, can't they just sell the art and let people decide for themselves? This whole thing is just a waste of time and money... 
Christie's auction is gonna be lit! I mean, 800 lots of Old-World opulence is hard to resist. But is it still in vogue among collectors? 
If you're feeling it, then you'll be there to bid. And with non-European buyers getting in on the action, I think demand will hold up. 
Let's see what happens! 
like winston guest and consuelo vanderbilt balsan? i mean she must have had some amazing parties 
! Irene Aitken's collection is literally a treasure trove of European art and history – it's like stepping into the world of Downton Abbey 
. I mean, who wouldn't want to own a piece of 18th-century French chateaux or an antique firearm? 
. But, to be honest, I'm kinda skeptical about the whole "Old-World opulence" thing... feels like collectors are just throwing cash at stuff thinking it'll appreciate or something 
. I'm totes team 18th-century European art all day, erry day 
. What I love about this auction is that it's not just about the art itself, but the experience of owning something with so much history and provenance behind it 
. Anyway, back to my point from last month - I was saying that the art world is slowly becoming more inclusive and I think Irene's auction will be a great example of this 
And I'm curious, do you think this type of auction will always be popular? Some people might say it's just a niche market, but Will Strafford seems pretty confident... 
I hope someone gets to enjoy owning some of these beautiful pieces for years to come 
. I love how she curated each piece to create an immersive experience that takes you back in time... it's like being part of history, you know? 
. On the other hand, I do wonder if people are still into that whole Old-World opulence vibe...I've seen some younger collectors go for more modern pieces. But hey, who knows? Maybe Irene's collection will prove me wrong 
. One thing's for sure though - this auction is going to be a major event and I'm here for it 
but at the same time, i do wonder if demand is really still there for old-school antiques. like, are people still really into that stuff? 
either way, i'm hyped to see how it all goes down! 